Urgent Box - red box. Where will it go? Jon
eal Property Owned by NonProfits – but used in part for profitable purposes, still exempt]
for purposes relating to civil
defense pursuant to the New York state defense emergency act, including
but not limited to activities in preparation for anticipated attack,
during attack, or following attack or false warning thereof, or in
connection with drill or test ordered or directed by civil defense
authorities; and provided further that such real property shall be
exempt from taxation only so long as it or a portion thereof, as the
case may be, is devoted to such exempt purposes and so long as any
moneys paid for such use do not exceed the amount of the carrying,
maintenance and depreciation charges of the property or portion thereof,
as the case may be.

Real Property Tax Law § 420-a

S 420-a.

(2) (d)

[Real Property Owned by NonProfits – but used in part for profitable purposes, still exempt]

for purposes relating to civil

defense pursuant to the New York state defense emergency act, including

but not limited to activities in preparation for anticipated attack,

during attack, or following attack or false warning thereof, or in

connection with drill or test ordered or directed by civil defense

authorities; and provided further that such real property shall be

exempt from taxation only so long as it or a portion thereof, as the

case may be, is devoted to such exempt purposes and so long as any

moneys paid for such use do not exceed the amount of the carrying,

maintenance and depreciation charges of the property or portion thereof,

as the case may be.

eal Property Owned by NonProfits – but used in part for profitable purposes, still exempt]

for purposes relating to civil

defense pursuant to the New York state defense emergency act, including

but not limited to activities in preparation for anticipated attack,

during attack, or following attack or false warning thereof, or in

connection with drill or test ordered or directed by civil defense

authorities; and provided further that such real property shall be

exempt from taxation only so long as it or a portion thereof, as the

case may be, is devoted to such exempt purposes and so long as any

moneys paid for such use do not exceed the amount of the carrying,

maintenance and depreciation charges of the property or portion thereof,

as the case may be.

“On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains.”

KING HENRY.

What treasure, uncle?

EXETER.

Tennis-balls, my liege.

KING HENRY.

We are glad the Dauphin is so pleasant with us.

His present and your pains we thank you for.

When we have match’d our rackets to these balls,

We will, in France, by God’s grace, play a set

Shall strike his father’s crown into the hazard.

Tell him he hath made a match with such a wrangler

That all the courts of France will be disturb’d

With chaces. And we understand him well,

How he comes o’er us with our wilder days,

Not measuring what use we made of them.

We never valu’d this poor seat of England;

And therefore, living hence, did give ourself

To barbarous licence; as ’tis ever common

That men are merriest when they are from home.

But tell the Dauphin I will keep my state,

Be like a king, and show my sail of greatness

When I do rouse me in my throne of France.

For that I have laid by my majesty

And plodded like a man for working days,

But I will rise there with so full a glory

That I will dazzle all the eyes of France,

Yea, strike the Dauphin blind to look on us.

And tell the pleasant prince this mock of his

Hath turn’d his balls to gun-stones, and his soul

Shall stand sore charged for the wasteful vengeance

That shall fly with them; for many a thousand widows

Shall this his mock mock out of their dear husbands,

Mock mothers from their sons, mock castles down;

And some are yet ungotten and unborn

That shall have cause to curse the Dauphin’s scorn.

But this lies all within the will of God,

To whom I do appeal; and in whose name

Tell you the Dauphin I am coming on

To venge me as I may, and to put forth

My rightful hand in a well-hallow’d cause.

So get you hence in peace; and tell the Dauphin

His jest will savour but of shallow wit,

When thousands weep more than did laugh at it.—

Convey them with safe conduct.—Fare you well.

O for a Muse of fire, that would ascend

The brightest heaven of invention,

A kingdom for a stage, princes to act,

And monarchs to behold the swelling scene!

Then should the warlike Harry, like himself,

Assume the port of Mars; and at his heels,

Leash’d in like hounds, should famine, sword, and fire

Crouch for employment. But pardon, gentles all,

The flat unraised spirits that hath dar’d

On this unworthy scaffold to bring forth

So great an object. Can this cockpit hold

The vasty fields of France? Or may we cram

Within this wooden O the very casques

That did affright the air at Agincourt?

O, pardon! since a crooked figure may

Attest in little place a million;

And let us, ciphers to this great accompt,

On your imaginary forces work.

Suppose within the girdle of these walls

Are now confin’d two mighty monarchies,

Whose high upreared and abutting fronts

The perilous narrow ocean parts asunder;

Piece out our imperfections with your thoughts:

Into a thousand parts divide one man,

And make imaginary puissance;

Think, when we talk of horses, that you see them

Printing their proud hoofs i’ the receiving earth.

For ’tis your thoughts that now must deck our kings,

Carry them here and there, jumping o’er times,

Turning the accomplishment of many years

Into an hour-glass: for the which supply,

Admit me Chorus to this history;

Who, prologue-like, your humble patience pray,

Gently to hear, kindly to judge, our play.

The siege of Troy, which forms the subject of the “Iliad,” and is the occasion of the wanderings of Odysseus, is unknown to history. Modern archaeological research has, indeed, unearthed in Asia Minor a site which may plausibly be identified with the Homeric city, and it is entirely possible that here there once occurred a struggle between two peoples inhabiting the shores of the Aegean Sea. 2

Whatever may be the truth as to the method of composition of the two epics, it may safely be surmised that they were preceded by a mass of legend that had in time gained a certain amount of cohesion and become in a sense national. But the constituent elements of this legend would have come together from a great variety of sources; and many incidents in both poems can be paralleled in the folk-tales of widely scattered peoples. Thus the story of the blinding of the Cyclops, Polyphemus, is found as a separate tale in several countries where no Greek influence can be traced; the adventure in the isle of Circe appears in an Indian collection of tales; the descent into Hades is told by the South Sea Islanders; and the central situation of the return of a far-traveled warrior to a wife who fails to recognize him occurs in stories all over the world. In the “Odyssey,” these and a hundred other incidents are combined into a single plot of the most admirable structure, with almost perfect unity of atmosphere, the whole being placed in the social setting of the kingly age of Greece.

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Interestingly, in a narrower context – e.g. a text widget – Frugal seems to give h3 (Heading 3) a different function – adding a horizontal line underneath the heading text

The text above uses the “blockquote” function – as rendered by the current version (2.2) of the JavaScript Pull-Quotes plugin  by Stephen Rider. ((Link to plugin site on StriderWeb |  Nerdaphernalia (the plugin is apparently not on – or not findable by me – at the WordPress.org plugins repository)).

- within a post (this is h4)

how  Frugal treats heading styles in posts (using default fonts) (this is h5)

All six styles in ascending order:

Heading 1

Heading 2

Heading 3

Heading 4

Heading 5

Heading 6

• add a list, as noted above
• insert a link e.g. Frugal Theme.
• use common text styling: e.g bold, strikethrough, colored text, italic or a combination of several at the same time.

Use heading styles, e.g.

Heading 1

Heading 2

Heading 3

Heading 4

Heading 5

Heading 6

How do you use those options in a widget?

The WordPress editing functions don’t appear when entering text in a text widget. But most of what you can do in the “new post”/”edit post” area, or using an html editor).NB: save this document early and often, of course, so you don’t suffer the irritations that go with losing work. But save it as a draft – otherwise you’ll end up publishing the same work twice – as a post and again in the sidebar).

Using the “new post” window to compose the post – one then simply

• Makes changes as desired;
• navigate to the “html” tab (“next to “visual” in WP editing window)
• select and copy the post text (i.e. the code, including the text)
• paste it into a “text” widget (remember, there’s no practical limits on the number of text widgets; each time one is created and saved, WordPress makes another “text” widget available).

I’m sure this doesn’t exhaust styling options in widgetized areas; and while sophisticated users may have ways of exercising more control, the tactics described here are a fairly direct way of managing simple styling in a text widget.